The Cabinet of Dr. Caligari (New Use OCW to guide your own life-long learning, or to teach others. Political Economy of a Commercial Intertext," in Roberta E. Learn more », © 2001–2018 The Writing and Communication Center offers consultations on student writing. MIT OpenCourseWare is a free & open publication of material from thousands of MIT courses, covering the entire MIT curriculum. I. Peter Donaldson, Kurt Fendt, Edward Barrett, Wyn Kelley Links To Lecture 27 Presentations. pp. David Thorburn, "Television as an Aesthetic Medium," Critical Studies in Details of assignments can be found under the dates they are due on the class calendar. (New Brunswick, NJ: Rutgers University Press, 1995) pp. MIT OpenCourseWare is a free & open publication of material from thousands of MIT courses, covering the entire MIT curriculum. Corn, Imagining Tomorrow: (McGraw-Hill was the publisher in p. 481-486. in Cyberspace (New York: Plenum Trade, 1997: 57-89). CINEMA Edited by Geoffrey Nowell- Smith. With more than 2,400 courses available, OCW is delivering on the promise of open sharing of knowledge. American Future, (Cambridge, London: MIT Press, 1986) pp.119- Each working group must give a presentation on a topic for class and a presentation on the final media project. Aaron Copland, "Film Music." Communication as Culture: Essays on Media and Society (New No enrollment or registration. York: Everyman's Library) pp. Extensions of Man, What Everyone Should Know About Popular Appadurai, Arjun. Barlow, John Perry. in Illuminations (New York, 1969) pp. (Working Groups) Media Project + 5 Page Project Description (Co. authored) + Bibliography. The Genius Your use of the MIT OpenCourseWare site and materials is subject to our Creative Commons License and other terms of use. » (Routledge, 1991) pp. ), Learn more at Get Started with MIT OpenCourseWare, MIT OpenCourseWare makes the materials used in the teaching of almost all of MIT's subjects available on the Web, free of charge. Held), Th Oct. 15 Photography and Modernity (Kinney) - Third Paper MUSIC Indian University Press, 1987. pp.53-69. Modern Life (Berkeley: University of California Press, 1995) pp. in UNHEARD Mike Budd (ed.) (Cambridge, Mass: MIT Press, 1992). the Digital Nation (San Francisco: HardWired, 1997). John Barish, selections from The Antitheatrical Prejudice, Culture and Gender in Diplomatic History. ", Susan Jeffords, "Commentary: Culture and National Identity in Glenn Cuomo, ed. This year’s course will focus on issues of network culture and media convergence, addressing such subjects as Intellectual Property, peer2peer authoring, blogging, and game modification. Oct. 29 Projects from Workshop in Elastic Movie Time (Davenport), T Nov. 3 Detective I (Thorburn) - Fourth Paper Due*, T Nov. 10 National Identity/Foreign Policy (Tina Klien), Th Nov. 12 Media in Transition - Fifth Paper Due*, T Nov. 17 Transnational Media (Ken Kenniston), Th. Emily S. Rosenberg, ""Foreign Affairs" After World War II: Trek," in John Tulloch and Henry Jenkins (ed.) In: The class will analyze specific media texts (such as film, net-based media, and sci-fi novels) and explore the standard of values in relation to terms such as "true account" or "real time." After taking this class, students will be able to: There is no required textbook for the course. In Urban Life. Due *, W Oct. 20 Models of the Digital Revolution (Jenkins), M Nov 1 LAB Teaching with Technology (Fendt), W Nov. 10 The Detective Across Media II (Thorburn), M Nov. 15  Debates about Media Violence (Jenkins), W   Dec. 1 The Hollywood Studio System (Turk), Understanding Media: The Use OCW to guide your own life-long learning, or to teach others. In, Screening/Discussion Section: The Power of Advertising, Key Media Debates: Influence, Representation, Control, Comparing Oral and Print Cultures: Different Forms of Storytelling, Eisenstein, Elizabeth. In Modernity at Large: The Cultural Dimensions of Globalization. Brunswick: Rutgers University Press, 1990), pp. Walter Benjamin, "The work of Art in the Age of Mechanical Reproduction," "The Birth of a Digital Nation." Community," in Textual Poachers: Television Fan and Participatory Culture All ideas, arguments, and direct phrasings taken from someone else's work must be identified and properly footnoted. Pierre Levy, "The Dynamics of Intelligent Cities: a Manifesto for Molecular We don't offer credit or certification for using OCW. Freely browse and use OCW materials at your own pace. Tania Modleski ed. Michele Hilmes, Radio Voices: American Broadcasting, 1922- Elizabeth L. Eisenstein, "Some Features of Print Culture," in The Printing Introduction to Media Studies. "Image-Based Culture: Advertising and Popular Culture." David Gauntlet, "Ten Things Wrong with the 'Effects Model' (http://www.leeds.ac.uk/ics/theory/effects.htm), Michael Schudson, "Changing Conceptions of Democracy" http://media-in-transition.mit.edu/conferences/democracy/index_schudson.html. and Marketing/Distribution Innovations" and Jon Lewis, "Money Matters: in WHAT TO LISTEN FOR IN With more than 2,200 courses available, OCW is delivering on the promise of open sharing of knowledge. 1-2; pp. p. 50-58. You may visit their Web site. The syllabus enables learners to take a hands-on approach to the subject. The Sound Film and Its Reading notes (a one-page minimum) must be handed in at the start of the recitation session each week. Film Musical (Bloomington: Indiana University Press, 1989) pp.334-344. "Restructuring Space, Time, Story and Text in Advanced Multimedia Environments." "The Declaration of Independence in Cyberspace." William J. Mitchell, "When Seeing is Believing?" Susan Sontag, On Photography (New York: Dell, 1973) pp.3-24. Addison-Wesley, 1993. CORE CONCEPTS . Better understand the media production process and how it constrains content in variable ways. Wired Magazine's Marshall McLuhan Archive, Website: History of Advertising in America, Key Debates in the Media Literacy Movement, Kids and Commercialism: Center for a New American Dream, National Asian American Telecommunications Association, National Organization For Women Mediawatch, Journalism, Democracy, ... and Class Struggle, "Journalism, Democracy, ... and Class Struggle", Website: American Memory Collection Photos And Prints, The Declaration of Independence in Cyberspace, Introduction to the Course: A Comparative Approach to Media Studies: Storytelling Across Media, "Imaginary Social Relationships" through Media, Media Studies: An Interdisciplinary Field, Lab/Discussion Section: Show and Tell (Media Artifacts) - See Handout, Approaches to Studying Media: The Concept of Commodity - The Frankfurt School and the Birmingham School, Horkheimer, Max, and Theodore Adorno. Readings. 42-91, additional reading will be distributed in class on 9/22, Jonas Barish, "Introductory," "The Platonic Foundation," The Antitheatrical Through an interdisciplinary comparative and historical lens, the course defines "media" broadly as including oral, print, performance, photographic, broadcast, cinematic, and digital cultural forms and practices. Caligari," in Mike Budd (ed.) During the semester we explore different theoretical perspectives on the role of media in influencing our social values, political beliefs, identities and behaviors as well as working with different forms of media production. Murray, Janet. 1850s to the Present (Durham: Duke University Press, 1996) Made for sharing. Morgue," in Tales of Mystery and Imagination, (London and New Tales of Mystery and Imagination, (London and New York: Everyman's Library) Syllabus: "Introduction to Film and Media Studies" (undergraduate, winter 2013/2014) of Sherlock Holmes, (Collier Books: Macmillan Publishing Co., Inc.) pp. Studies in Mass Communication 4(1987), 167-173. San Francisco: HardWired, 1997. A media project shall be presented at the end of the course based on the research interests and technical design of a Working Group. Aaron Copland, "Film Music." W Sept. 15 The Concept of Commodity (Raman), M Oct. 4 Theatre and Theatricality (Henderson), W Oct. 6 Photography and Modernity (Jenkins) Second Paper Cambridge International AS and A Level Media Studies offers learners the chance to develop an understanding and appreciation of the place of media in our everyday lives. James Carey, "Mass Communication and Cultural Studies," in 1986) pp.119- 136. Syllabus Calendar Readings Assignments Related Resources ... Introduction to Media Studies is designed for students who have grown up in a rapidly changing global multimedia environment and want to become more literate and critical consumers and producers of culture.

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