lift is higher up; not in the "punch" range but in the "air" range). I would also strongly consider the Beesnees LuLus. Maybe have a look at some ribbons. the freq. Remote Possibilities in Location Recording & Production,, Pictures Of Mic'ed Up Drum Kits In The Studio, Any new mic sounding similar to vintage km84, Already have an account? The omni gives more of a live and detailed. Very good, regardless of (low) price. Hard to find though. I feel the mids are very clear and defined, the top can be a bright on a few sources, but its a great work horse mic for me. They appear to be a good KM84 clone. The downside of the KM184 is it can be overly bright. The MC 930 is not bright, but brilliant (i.e. Also look into the Gefell M300, pretty much the same design. A quick search on KM 184 will reveal the mic to be historically unpopular on Gearslutz. It's a great little mic. here is a quite beautiful sampling of the MC930. Even on vocals. 14th June 2010 | … When you have two NT55's put them in card. I will try to record my classic guitar in a couple of days when I have put on new strings. Stage feeling in the studio. Nice, bright and slightly round. To buttress my previous post: I don't harbor hatred for the KM-184, and I do think it gets a bum rap on this forum. Superb mic for the money. Peluso cemc6...a great deal at the price and a pair will only set you back a little under $600. Create a username and password below and an account will be created and your post entered. Then I'll record with Sennheiser MKH8040, AT4033 and CM3. An amazing microphone, depth and vibe, great on acoustic guitar. Neumann KM184, Charter Oak M900, Josephson c42, AKG c 391 b, Audio-Technica 4021, Rode NTS, Audio-Technica 4051, DPA 4011, AKG c 1000 s, Audio-Technica ATM450, Peluso CEMC6, Schoeps CMC64 Shure SM81 Share Reply Quote. they can be a tad bright for some sources when used close, but are excellent on acoustic guitar, piano, and many other acoustic instruments, and they make a very nice main ORTF pair for small ensemble recording. Beyer MC930 for sure. i have owned pairs of gefell m300s, dpa 4011s, schoeps cmc64s, km140s, km184s, beyer mc930s, and imo, the km184s are as musical as anythng i have used. Help: cheap alternative at Neumann KM184. Personally, between the 84 and 184, I definitely prefer the 84 for my useages. Všechny informace o produktu NEUMANN KM184 Stereo, porovnání cen z internetových obchodů, hodnocení a recenze NEUMANN KM184 Stereo. capsules with it. the mercenary audio km69 is supposed to replicate that sound. I think you'll find that the mc930 will be more useful than the at4040. The downside of the KM184 is it can be overly bright. I like the KM184, especially for acoustic guitars. The Neumann Series 180 consists of three members with different pickup patterns: KM 183 (omni), KM 184 (cardioid), and KM 185 (hypercardioid), thus covering the majority of stage and studio applications. You need an account to post a reply. I love the AKG 451 that I have. ...there is this strange "rule of thumb" around these parts that...the old product is *always* better than the new... More Mic Madness - cHapTeR 4 - What's up with KM84's? When you buy products through links across our site, we may earn an affiliate commission. Classical guitars can sound absolutely beautiful with ribbons if the guitar itself sounds nice along with the room. Consider a Gefell MV692 with the M70 capsule. Thank you guys, it seems to be very good the Beyer MC 930. It's not that the 184 is a horrible mic. Ribbons really work when you want a very natural tone and can take eq very nicely. Nicer top end, and generally, then the KM184. The 692/M70 combo is sweet and flexable. TLM 103 The modern classic for vocals, spoken word, and more. The 4051a is much higher end than a 4040, and still not that expensive. Hello, I would like to buy a good mike for to record my nylon-flamenco-spanish guitar heh Well, I have a decent valve preamp (avalon 737) and converter (UA2192) and I would produce a sweet ambient music. Do you really think you could buy 2 separate km84s and they would be as closely matched as something new?? I feel the mids are very clear and defined, the top can be a bright on a few sources, but its a great work horse mic for me. KMS 104/ 104 Plus/ 105 Studio sound on stage. the older km84s are also very nice but have been pretty much priced out of all reasonableness - expect to pay $2500-3000 for a nice pair of km84s - and there are better mics out there for that kind of money (again, IMO). It's never made much sense to me, particularly in recording popular music, because I feel the 184 is a real workhorse. btw, in the gear shootout forum is this thread: Buy km 184 and dont look back . but a great bread and butter utility. I posted clips above of 84's, 184's, modded 184's and modded 012's if anyone actually cares to listen instead of pontificate. lift is higher up; not in the "punch" range but in the "air" range). This way you might save yourself a lot of pesetas. The MC930 has a different magic--more open, less in the mid, more in the lows and highs. Of the mics just mentioned, you could make a good case for either the KM184 or MC930 but if budget comes into play, there's no need to anguish yourself further. I have owned both. I don't know if anybody mentionned the rode nt-5, they are cheapest copy of the km184, but I've compare the too, and they are very nice for the price.


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